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Vladimir Nabokov. Inspiration
(written on November 20, 1972, for
The awakening, quickening, or creative impulse, esp. as
manifested in high artistic achievement.
Webster, Second
Ed., unabridged, The enthusiasm that sweeps away (entraine) poets.
Also a term of physiology (insufflation): ". . . wolves
this by causing a little dog (Buffon)."
Littre.
ed. integrate,
The enthusiasm, concentration, and unusual manifestation
of the mental faculties (umstvennyh sil).
Dal, Revised Ed., St. Petersburg, 1904
A creative upsurge. [Examples:] Inspired poet. Inspired
socialistic work.
Ozhegov, Russian dictionary, Moscow, 1960
A special study, which I do not plan to conduct, would
reveal, probably, that inspiration is seldom dwelt upon
nowadays even by the worst reviewers of our best prose. I say
of fiction, including my own stuff. It would seem that this
reticence is somehow linked up with a sense of decorum.
tasteless and old-fashioned as to stand up for the Ivory Tower.
Yet inspiration exists as do towers and tusks.
One can distinguish several types of inspiration, which
intergrade, as all things do in this fluid and interesting
world of ours, while yielding gracefully to a semblance of
classification. A prefatory glow, not unlike some benign
variety of the aura before an epileptic attack, is something
the artist learns to perceive very early in life. This feeling
blue in the picture of a skinned man under Circulation. As it
spreads, it banishes all awareness of physical discomfort--
youth's toothache as well as the neuralgia of old age. The
beauty of it is that, while completely intelligible (as if it
climax), it has neither source nor object. It expands, glows,
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